1. Did flight have
any influence outside of aviation? If so, how?
Flight had a massive influence on many areas outside of aviation.
For the first time in the history of mankind, up in the skies were men and even
now women soaring in circles, diving, and dipping all while encased in a
wooden, winged frame. The sight of such an anomaly inspired artists, writers, and
popular culture as a whole.
The famous Pablo Picasso witnessed a flying spectacle at
Issy-les-Moulineaux along with Georges Braque. As a result of their
observations, they were inspired to build model airplanes. Furthermore, Picasso
created “Still Life: Our Future Is in the Air,” which illustrated how the dawn
of flight was critical to the defense of nations.
Moreover, a young Austrian writer, Franz Kafka saw the idols
of Reims competing in aviation heroics and it simply left him breathless.
Similarly impacted were the Italian writers Gabriele D’Annunzio and Filippo
Tommaso Marinetti and Russian writer Vasily Vasilyevich Kamensky. Kamensky in
particular wrote, “The airplane—that is the truest achievement of our time.” He
would later move to Paris and learn to fly. Ultimately he would wind up
lecturing on airplanes and Futurist poetry in conjunction with David Burlyuk
and Valdimir Mayakovsky.
The awesomeness of flight made a great impression on popular
culture as well. Songs like “Come Josephine in My Flying Machine,” “My Little
Loving Aero Man,” and “Take Me Down to Squantum, I want to See Them Fly,” were
all part of Tin Pan Alley’s desire to stay current and hip. The Aviator premiered at the Tremont
Theater in September 1910, awing spectators when a real plane was rolled onto
the stage and the engine was started. Even household items were influenced by
aviation. Clocks, fans, cigarette cases, etc. were all produced to be a sign of
the times: branded with pictures of airplanes flying high in the sky. Flight
truly had a massive influence on all aspects of life as it ascended into a
wide-scale market.
2. How did this new
field of aviation affect science?
While the first gliders were being tested and crashed at
various sites across the world, the first aerodynamicists were making
observations and testing theories on the fundamental physics behind flying.
Essentially, they had a desire to know how wings actually worked and the core
principles behind flight. This desire was aroused due to the increasing
popularity of flight.
The simple scenario of a cylinder placed in a fluid stream
was considered. John William Strutt observed that a stationary, non-spinning
cylinder in the stream undergoes the phenomenon of drag, whereas, when it spins
in the clockwise direction in the stream, lift is generated. Strutt designated
this occurrence to the idea that the molecules flowing off the back of the
object were sent into a downward motion. Newton’s third law says that for every
force, there is one equal in magnitude and opposite in direction. This would be
one explanation for the phenomenon of lift observed by Strutt.
Daniel Bernoulli discovered that molecules moving over the
top of the cylinder are more tightly packed than the molecules moving beneath
the cylinder. Thus, there would be an area of low pressure beneath the cylinder
and an area of high pressure above. This pressure differential generates lift
also.
The question remains, which one is right? Well, today we
know that they were both correct and both theories contribute to the overall
lifting force.
Bernoulli and Strutt laid the foundation for lift and drove
other researchers and scientists to hunt for more knowledge about the subject. One
German scientist in particular Ludwig Prandtl presented “one of the most important
fluid dynamics papers ever written.” The paper divulged the discovery of the
boundary layer, or the layer of air molecules that cause the bulk of friction
between the wing and the air. From here it was a snowball effect as the theory
of wings began to take form throughout the rest of the 20th century.
3. Who took the lead
in establishing aviation as a business and what effect did it have on the rest
of the world?
Louis Bleriot was the man who was at the helm in transforming
experimental and exhibition-type aviation into a business. In 1909 he was in a
nasty crash leaving him with fractured ribs and injuries to his internal
organs. This caused him to leave his original career as an exhibition pilot and
delve into the business world. As early as September of the same year, he found
himself with 101 orders for his XI aircraft. By 1911, Bleriot had manufactured
500 airplanes since he began mass-production. Between 1909 and 1914, forty-five
different aircraft were produced which was a massive amount for the time
period. A standard XI was priced at $2,350, which was equivalent to about
$60,000 in today’s money due to inflation. But one must keep in mind that
salaries back then were relatively much less. Flight instruction was a big part
of the business as well, since first-time airplane buyers really had no idea
what they were getting into.
Bleriot inspired thirty-three competitors across France
alone. The rest of the world was not falling asleep on the business of aviation
either. The Belgian Armand Deperdussin began producing sleek designs that
appeared as if they had come from the future. Premier racing pilots preferred
Deperdussin for the increase in speed that the aerodynamic design yielded. However,
in 1913, Deperdussin would fall apart when Armand was convicted of financial
chicanery and sent to prison. The once beloved Bleriot reorganized the company
and would remain an important figurehead in French aviation until his death in
1936.
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