1. Did flight have any influence outside of
aviation? If so, how?
Flight absolutely influenced life outside
of aviation. The first example I’d like
to mention is the influence of aviation on art.
Several artists, including Pablo Picasso, Georges Braque, Anatole
France, and Pierre Loti, were in the crowd of the thousands of people who went
to Issy-les-Moulineaux to watch the flying.
Picasso and Braque took the inspiration that they received from this
event and turned it into art by building model airplanes. Picasso also produced “Still Life: Our Future
Is in the Air,” a commentary on aviation’s importance to the defense of the
nation.
Poets were also captivated by the wonders of
aviation. Italian poet and novelist
Gabriele D’Annunzio proclaimed that aviation was a “divine thing” and even
asked the question, “Where is the poet who will be capable of singing this new
epic?” Filippo Tommaso Marinetti, a
wealthy Italian poet, was enthusiastic to try and fulfill this inquiry. He wrote that airplanes were among the most
potent symbols of modernity.
7. What was the cult of the heroic airman?
As said in the book, the cult of the heroic airman “began as
a natural extension of the adulation lavished on the aeronautical heroes of the
prewar era.” In other words, the cult
encompassed the young men who wanted to fly the new airplanes during the first
World War. The book also makes the point
that it seemed an obvious choice that men would flock to be pilots in the war. An infantryman explained, “Here was I in mud
up to my knees, [while those] other fellows were sailing around in the clean
air.” He later became an aviator. The book compares the aviator to a “Medieval
knight, boldly carrying the national standard into combat with a champion from
the other side.” Obviously, these men
were portrayed to be heroic and bold, which created this notion of the “cult of
the heroic airman”—who wouldn't want to be portrayed as someone of these
characteristics?
9. What was the state of military aviation after WWI?
After World War I, military aviation was demobilized. The strength of the U.S. Army Air Service
fell from 190,000 officers and enlisted men in November 1918 to 27,000 six
months later. $100,000,000 in contracts
for things to build airplanes such as engines, airframes, and accessories were
cancelled abruptly. Total annual aircraft
production fell from 14,000 in 1918, the wartime peak, to 263 in 1922. Ninety percent of the factory space devoted
to aviation during the war had been redeployed by 1919.
After the war, all of its industries suffered, but aviation
manufacturers were unique in that they had no other market to turn to for sales
after the war. William Boeing and his
company were an example of this, as their company resorted to building wooden
furniture until a new army contract came about in 1921, giving the company what
they needed to be back in the airplane business.
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